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Inside Dhurandhar: How Smriti Chauhan Crafted Ranveer Singh’s Most Talked-about Look – Exclusive_我的网站

A |     为改善环境空气质量，有效抑制扬尘污染，坚决打好大气污染防治攻坚战，我市狠抓源头治理，启动煤场、物料堆场专项整治工作。    Costume designer Smriti Chauhan is one of the creative forces behind Ranveer Singh’s look in Dhurandhar. She says the film’s now-viral bearded avatar was born from months of iterative work, collaboration and a deep integration of costume with hair, makeup, lighting and performance. In an exclusive conversation with Filmfare, Chauhan breaks down the meticulous process, from conceptual sketches to 40-metre salwars and silicon jewellery designed to survive high-octane action.          Region, story and technical precisionChauhan reveals that the idea of a full beard was rooted in the character’s geography and cultural background. “We knew there was going to be a beard because of the region he comes from, what he’s performing and who he is,” she says. The hair and makeup team played a decisive role as well. They dictated the skin tone, lens colour and texture choices that needed to sync with her costume palette. “Costume and hair and makeup cannot be separated,” Chauhan emphasises. “The look comes alive only when all three, costume, HMU and lighting - work in harmony.”Ranveer’s inputs and a sharp eye for detailChauhan was nervous as she met Ranveer Singh for the first time while working on the movie. However, she says that the actor immediately put her at ease. But Singh was far from a passive participant. He dissected materials, cuts and accessories with precision. He’d ask, ‘Why linen? Why not silk? Why this jewellery? Why this structure?’ According to the designer, his questions pushed her to have solid answers.Smriti also shares, “And when you have the answers, it gives you more clarity. So with Ranveer, he ensured that he helps the two of us get clarity on the character. He also added some technical bits. He asked me to add a wire on the collar so that it stays like that when he is moving around.”          Ranveer’s physical transformationOne of the biggest challenges for Chauhan’s team was designing for a body that kept changing. Ranveer bulked up for a portion of the film and then shed weight rapidly for another. “We had to ensure that with every change in his body, the clothes didn’t show that change... The look had to stay consistent,” she shares.The character evolves from a street nobody to someone big. The costumes had to mirror his transformation. Initially, his look is rooted in ruggedness. “So all of this came together working very closely with him. We understood which materials are working the best and which is looking rugged. His entire journey in this film is like that of a nobody becoming somebody, like really big. So that journey itself was grand.”          The nightmare of action-friendly jewelleryLater, as the character rises in stature, accessories become key. Ironically, Chauhan had laughed off Ranveer’s early questions about accessories because of the heavy action sequences. But he persisted. “Cut to the first sequence in the teaser - he is loaded in accessories. I can tell you this, I’ll throw a rug on him and he’ll carry it with perfection. The next thing you know is that we have added so many accessories on him,” she adds.As the film is packed with lengthy action sequences, some shot over 10 to 12 days, Chauhan’s team had to create silicon jewellery that looked real but wouldn’t injure the actor or break under impact. “It was a nightmare but became necessary.”     The Balochi salwar challengeOne of the film’s most technically challenging pieces was the traditional Balochi salwar. The authentic garment uses 30 to 40 metres of fabric, which is impossible for action scenes. Instead, Chauhan’s team created prototypes using 17 to 20 metres. They experimented with fabric weight, fall, pleats and movement. “We kept making so many prototypes. When he wore it, it looked less; when we spread it out, it was huge. Overall, it was a massive learning experience,” she recalls.Months of prep, presentations and look testsThe team spent two to three months preparing Ranveer’s looks. They went through six different presentation decks and multiple iterations for each phase of his journey. Three comprehensive look tests were done even before shooting. Moreover, sudden scheduling changes accelerated everything. “We thought we’d shoot in October, but suddenly the shoot got pulled to July. We were like, ‘What?’ But luckily we had done early homework,” she recalls.The moment Ranveer called her a ‘Rockstar’Chauhan recalls one of her most overwhelming moments when Ranveer looked at the first major look test and told her he’d “never seen this level of detailing.” “Coming from someone who’s worked with the greatest designers worldwide, it meant the world. It pushed me to raise my own bar,” she says.Despite the scale, the pressure and the physicality of the film, Chauhan says Ranveer’s collaborative nature made the process smooth. “He is the best team player I could have asked for. His encouragement, his curiosity, his involvement - everything helped build the character’s world,” she quips.Also Read: Sara Arjun gives Dhurandhar co-star Ranveer Singh a moving tribute as she shares BTS photos。连日来，全市上下坚持问题导向、目标导向，协同发力、统筹施治，针对煤场、物料堆场等影响城市环境的问题进行有力整治，全力打造良好生态环境。

B |          　　自整治工作启动以来，新抚区坚决落实市委工作部署，制定整治方案，压实工作责任、明确任务分工和整治时限。各相关部门紧密配合、科学分工，对各堆放点进行深入摸排，建立台账，采取释法理、讲道理、明情理等措施，督促、引导煤场业主积极配合整治。同时，严格落实“属地管理”责任，常态化开展巡查排查。

C | 截至目前，共完成榆林采沉区青年路沿线、东北商贸城东侧煤场等16处散煤堆放点的清理工作。         　　望花区多次召开煤场、物料堆场专项整治工作专题推进会，成立工作组对煤料堆场进行包保，实行一企一策，集中攻坚。通过法律宣讲、政策宣传、沟通劝导、多部门联合清理整治，共清运煤料16000吨，完成13户的清理和整改工作。针对搬离清空的五老和汪良禁燃区场地，实行24小时监控，确保散煤治理管控工作取得实效。         　　为促进散煤堆场治理提质增效，东洲区强化部署安排，细化工作举措，积极争取企业对整治工作的理解与配合，对煤都路沿线堆场面积、数量进行核量确认，向企业负责人宣讲政策、研究清运事项，深入现场督导检查，全力保障煤场、物料堆场清理到位、整治到位。目前，清理工作正在紧张有序进行中，预计10月底将全部完成。为保障整治效果，东洲区还将持续加大巡查监管力度，强化散煤治理政策宣传，防止反弹回潮。

D | 针对腾空的土地，将规划合理使用，持续做好整治后半篇文章。         　　开展散煤堆场治理工作是进一步改善群众生产生活环境的重要举措，是惠及千家万户的民生工程、民心工程。让我们共同行动起来，做环境保护的践行者、监督员，为维护生命健康，建设天更蓝、水更清、空气更清新的美丽城市贡献一份力量。

E |          　　记者感言          　　连续几天报道全市散煤堆场整治工作，看到各县区各部门步调一致、齐心协力，一个个堆场从暴土扬尘到堆放合理规范，清理的是散煤，堆起的是百姓对城市管理的信任和信心。

F | 城市管理一头连着发展，一头连着民生，要以绣花功夫做好城市精细化管理，以百姓之心为心，以百姓需要为出发点，在细节上追求尽善尽美，才能不断增强人民群众的获得感、幸福感、安全感。                   责任编辑：刘春阳。

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Published on:10:51:06